Shipping speeds will vary between one and four days depending on region. We sure do! We are shipping internationally with two options:ĭHL: All customs, duties, and VAT fees are covered by Bandbox. Bandbox also offers free returns but will evaluate each case accordingly. If the item is out of stock, Bandbox will offer a full refund on the item as long as it is returned to us. If you receive an order with a damaged LP, jacket or sleeve, Bandbox is happy to offer a free exchange for that respective item if in stock. How does Bandbox handle returns and exchanges? This is a booklet (included with every exclusive color pressing) we put together with the featured artist and typically includes a track-by-track review of the album (from their perspective), in-depth features, rare and/or unseen photos and more!įor domestic shipments, the cost typically starts at $4.99 for single LP and increases depending on the size of the order. That includes Alaska, Hawaii and U.S. The Bandbox artist fanzine is what makes the Bandbox experience extra unique and exclusive. Also, be ready for some occasional additional items thrown into your box! Following Bradley's untimely death in 2017, this vinyl package serves as a fitting and affectionate tribute to The Screaming Eagle Of Soul, and is our way of celebrating Bradley's uplifting music and his inspiring life.Įvery Bandbox includes the album of your choice (from over 100 options) and an issue of our full-color 16-page fanzine, centered around your selected artist. In addition to Bandbox's exclusive color vinyl variant of 'Changes,' our edition also comes with a 16-page zine examining Bradley's fantastic album as well as his truly unique musical career. Bradley's golden vocals are backed by two cracking bands on the record, as both the Menahan Street Band and The Budos Band gives these pulsating tunes a horn-fueled swing and a rhythmic stomp. "Changes" earned Bradley a lot of industry attention and radio airplay, but the album has plenty of other soulful, emotional gems that compliment the brilliant title track. The surprise cover of Black Sabbath's "Changes" is the record's unquestioned centerpiece, as Bradley completely reworked the soaring rock song into a powerful soul number that became entirely his own. 'Changes' is Bradley's celebrated third album, and Bandbox is thrilled to release this modern soul classic on exclusive "Orange Smoke" vinyl. But Bradley eventually emerged from under the long shadow of the Godfather Of Soul and carved his own distinctive path in the music world. That's a lot more than one can say for the other guy who sang "Changes," Ozzy Osbourne.Charles Bradley initially got the attention of the music industry as a James Brown impersonator known as Black Velvet. And Changes shows Bradley still has plenty of new ground to explore at the age of 68. Charles Bradley doesn't sound like a '60 soul singer, he sounds like a great soul singer regardless of era. On Changes, the rough-hewn power of Bradley's voice is at its most powerful, and there's a fierce sense of longing and need in this music that's almost tactile in its realism. But since he launched his belated recording career, Bradley has developed a greater sense of self and more confidence in his own musical personality. Dynamite is still audible on many of these tunes. Bradley spent years imitating James Brown, and the influence of Mr. (Most of the album features the Menahan Street Band backing Bradley, though the Budos Band does the honors on two cuts.) Most of the songs on Changes are new, but they sound like they could have been prize Atlantic or Stax rarities from the mid-'60s, and the performances honor the sound and the emotional power of classic soul. The production by Thomas Brenneck is straightforward but naturalistically effective, and puts Bradley's rough but passionate vocals in engaging relief with the accompanists. As on his two previous albums, Bradley is one of the most authentic-sounding artists in the 2010s retro-soul sweepstakes on Changes. Now it's become the title track and cornerstone of Bradley's third album, and in this context it doesn't sound like a novelty, but like the striking, deeply felt performance it truly is. 4) became something of a viral sensation when it first surfaced on a Record Store Day single in 2013. If Wilson Pickett could cover the Archies and Al Green could interpret the Bee Gees, why shouldn't Charles Bradley put his spin on Black Sabbath? Bradley's deep, soulful reading of Black Sabbath's "Changes" (from 1972's Vol.
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